...

CalStage Home
Back

 


 

Saddleback Valley Community Church
Auditorium Lighting

Lighting/Control Packages by Cal Stage
Lighting Design by Jon Griffin


Saddleback Valley Community Church has been a valued customer of California Stage & Lighting for many years.  Over the years, we have provided equipment for them in a variety of venues, indoors and outdoors.  Some examples can be seen here on our website, including  photos of a self-climber, a movie of the same system, photos of their new space in action with some additional Cal Stage rental gear,  an indoor tent rig from Easter; and a very large event at Edison Field.  Cal Stage is proud to have supplied them with equipment over the years, and is pleased to be able to continue to assist S.V.C.C. as they grow.

In June of 2003,  Pro Lights & Staging News, also known in the industry as PLSN, published an article on the renovation of their main Sanctuary.  By dint of superhuman effort (we called them) and sublime persuasion (we said please), we were able to secure permission to reprint that article below.  They were very gracious, and we thank them.  The photo was published with the article, which appears on page 8 of the Volume 4.05 June 2003 issue.   Their website address is below, also.  (Author's credit is not given below; the article carries no byline.)

Saddleback Church Automates Auditorium

(copyright ©2003 by Pro Lights & Staging News; used by permission)
Saddleback Church's 3,500-seat auditorium is one of the most active venues in Lake Forest, Calif. In addition to the church's six worship services each weekend, the auditorium plays host to more than 20 concerts during the summer as well as numerous other special religious programs, conferences and theatrical presentations. The auditorium is also used by outside groups, such as local high school theatre troupes.

Lighting the auditorium's 60-by-30-foot stage was a huge rig consisting of more than 300 conventional fixtures. In the center of the back wall of the stage are three 12-by-9-foot screens. On the perimeter is a pair of 20-foot video screens. Although the stage and video system could easily accommodate the wide range of events at the venue, the lighting system was not as flexible.

There is no catwalk system at Saddleback Church that would allow someone to walk along the rafters and adjust, focus or re-gel the conventional fixtures. The lighting system was accessed from a single-man automatic lift, which, when it came to changing fixtures, meant putting four outriggers on the lift, moving it to a specific location in the worship center, going up in the lift, changing or refocusing the lamp, lowering the lift, moving it to another position and repeating the process.

For certain programs, the performance area of the stage would be widened, calling for a complete refocus of the entire 300-plus fixture lighting system. The amount of labor it took to maintain the system had become too time consuming.

The church replaced several dozen of its conventional fixtures with 18 VL2000™ Spot luminaires and eight VL2000™ Wash fixtures. All but two of the luminaires were ordered custom-colored white from the Vari-Lite factory to blend in with the auditorium roof. The two black fixtures are hung in a darkened area of the church, obscured from the audience's view.

In addition to the moving beams, the rotating gobos allow for a variety of background texturing, giving the impression of moving clouds, rippling waters--or flames, should the congregation need that message.

The automated system has also added flexibility to the weekly worship services and special programs. Each of the six weekly services can have a preset lighting design that sets a particular mood and atmosphere--serious on Saturday and Sunday mornings, and possibly upbeat for the Sunday evening service.

At Christmas and Easter, Saddleback Church regularly presents "point and play" programs, a combination of scripture and song where the pastor emphasizes a point from the scripture, which is followed immediately by a corresponding hymn. The automated fixtures can allow a spotlight to follow the pastor as he moves to different points on the stage, and the wash of color bathing the choir can change with each message.

The control system is a Flying Pig WholeHog III console, installed just two days before a series of 13 Easter Services was set to begin. Jon Griffin, the full-time lighting designer and director, had no qualms about installing a new console before such a string of shows, as he was already familiar with the console's predecessor, the WholeHog II console.

"1 knew it would be a success," Griffin says. "1 love the Hog III. I took a conversion course (a training process of going from WholeHog II to WholeHog III) with Mike Hanson at HES Los Angeles. Flying Pig Systems has been extremely helpful resolving issues with new builds all the time. With both the console and the wings, I have the flexibility we needed in the venue."

Griffin says he quickly put the WholeHog III control system to the test. The Hog III--along with a programming wing and a playback wing---arrived on a Tuesday afternoon. On Wednesday, he spent the day hanging lights and programming and Thursday was the start of 13 Easter services.

Again, Cal Stage's thanks to the publishers of Pro Lights and Staging News.  Please take a look at their website; subscriptions to this magazine are free to theatre professionals in the US!

Cal Stage Home Page]

[Top of Page]

Need a Credit Card Authorization form?  
Click here to access commonly required forms for doing business with Cal Stage

If you have questions about 
any item on our website, please 
give us a call at (714) 966-1852.

This page last modified: April 05, 2008
Terms of Use for the Cal Stage Website

All material on this site is copyright ©1998-2008 by California Stage & Lighting, inc., or is used with permission.  All rights reserved.